Art after Institutions after Art
For the final panel of the Museum as Hub Conference, called “Institutions after Art,” the moderator, Taraneh Fazeli, education associate at the New Museum, wanted to explore in
Institutionalized
“Networked Institutions/Institutionalized Networks” sought to shed light on the dynamics of collaboration among institutions—now considered a common way of working in the art
Toward a Strategic Regionalism
According to Annie Fletcher, curator at the Van Abbemuseum in Eindhoven, the Netherlands, the professor Irit Rogoff once wrote that “you can’t have a position without a locatio
How Does It Feel to Feel?
A focus on inventive educational programming in art museums is decades old, as Michelle Jubin has brought to light in her essay “Museum Education and the Pedagogic Turn,” but t
Contemporary Histories of the Historical Contemporary
This panel celebrated and promoted the release of a new anthology called Contemporary Art: 1989 to the Present (2013), edited by the event’s moderators, the art historia
The Ergonomics of Experiencing a Text
Paperweight, a new organization founded by the artist Jesse Hlebo, was born because, it seems, people involved in producing artist’s books and related cultural publications feel
Here They Are
A panel of the five artists in the exhibition We Are Here! Eiteljorg Contemporary Art Fellowship (June 2–September 23, 2012) at the Smithsonian Institution’s National
In Love with Itself
A packed room rustled and bustled in anticipation of this star-studded panel organized by Hrag Vartanian, a former art critic who now edits the blogazine Hyperallergic. Va
Living Well Is the Best Revenge
Liam Gillick, an English-born, New York–based artist and educator, sneezed three months ago and became half deaf. He highly recommends the ear flush that corrected the problem. A
How We Would Give Talks
“What’s going on here?” is first thought a person might have on first encountering a painting by Dana Schutz. One might do well, of course, to ask that same question when vie