Streaming as Form
Since it’s 2011 and we live in a high-tech, wired world, organizations with adequate funding can take advantage of the wonders of the internet. In the case of the “Creative Tim
Before and after Institutional Critique
I caught Rhea Anastas’s paper, “Untitled by Andrea Fraser: A Short Reception History 2002–5,” in a 2006 CAA Annual Conference session chaired by Andrew Perchuk and