How the Ruling Class Stole the Idea of Contemporary Art—and How to Get It Back
At the end of the first chapter of 9.5 Theses on Art and Class, the New York–based art critic and editor Ben Davis writes that a “theory of class might provide the mis
In Love with Itself
A packed room rustled and bustled in anticipation of this star-studded panel organized by Hrag Vartanian, a former art critic who now edits the blogazine Hyperallergic. Va