June 28, 2019 Christopher Howard
The Money Pit
In November 1973, Walter De Maria wrote to his former dealer, Virginia Dwan, seeking funds to create a second, larger version of 35-Pole Lightning Field, a work of Land ar
July 21, 2014 Donna Marxer
Residual Rights for the Visual Artist—Are They Desirable?
The panel got off to a late start because Robert Rauschenberg and Robert Scull were still out to dinner—together. Then Lawrence Fleischman opened by objecting to the residual agr