How the Ruling Class Stole the Idea of Contemporary Art—and How to Get It Back
At the end of the first chapter of 9.5 Theses on Art and Class, the New York–based art critic and editor Ben Davis writes that a “theory of class might provide the mis
Contemporary Histories of the Historical Contemporary
This panel celebrated and promoted the release of a new anthology called Contemporary Art: 1989 to the Present (2013), edited by the event’s moderators, the art historia