Make American Art Great Again
The audience gathered in the Phyllis Harriman Mason Gallery of the Art Students League, a midtown Manhattan art school founded in 1875, was mostly middle-aged folks and senior citi
The Still Life
In academic art history, the single-author, single-subject monograph—an extended study on an individual artist, a group of artists, or a chronological or geographic range—is ty
The Most Bleed Possible
Though the outrageous antics of Jim Jones and Charles Manson reverberate through the American public consciousness, a broad history of less-sensational activities from the 1960s an
Say It Together, Unmonumentally
“Language is forced on art,” quipped the artist Rachel Harrison to an audience member during the Q&A session of this event. “We’re just throwing words at art all the time.
Critical Conditions
The Serbian sculptor Marko Marković has expressed an interest in museum conservation departments and in the process of finding, restoring, and preparing objects for exhibition. Fo
Needle on the Record
“You might say that a people or a movement must be constituted musically before it can be constituted politically.” This was one argument among many declared by Michael Denning
Much Detachment, Very Labor, So Painting
A well-attended lecture by Isabelle Graw, a professor of art theory and a founding editor of the journal Texte zur Kunst, was titled “The Economy of Painting: Notes on t
Personal Branding with Hank Willis Thomas
“Would you say your biggest source of inspiration is other people?” an audience member asked Hank Willis Thomas, who had just finished giving a presentation on his work in the