The Last Woman’s Panel?
I think the best thing A.I.R. [Gallery] could do would be to have men. I hope there won’t be any more women’s panels and I hope this is the last one I’m on. You get what you
Male Critics Grilled and Toasted
The fact that this panel of four male critics and editors drew the largest audience I have seen at any comparable woman’s event tells all about power and the perception of power
Not Just Another Ism
Joan Semmel began by citing Lucy Lippard: the more explicit the imagery, the less evocative the erotic work. Response from panelists was poor until John Kacere broke the ice with a
Get Off the Internet
From an aesthetic point of view, the term “punk”—whether referring to a music genre, a fashion style, or a nonconformist attitude—has generated an incredibly diverse creati
Landscape Surveyors
A panel on “The Changing Landscape of Museums Today” coincided with the release of the Asia Society Museum’s anthology of essays, Making a Museum in the 21st Century
End of Bohemianism
The most talked-about art writing of 1987 College Art Association week was Janet Malcolm’s New Yorker profile of Ingrid Sischy, editor of Artforum. Hilton Krame
The Forever No
“Zombie Formalism” and Other Recent Speculations in AbstractionWednesday, December 10, 2014School of Visual Arts, SVA Theatre, New York Last April the painter and critic Walter
The Meet Market
The internet was once the “meat market for the undatable,” said the journalist Erica Lumière. Now, meeting people online for dating and sex has nearly become completely normal
Hand Washers
“I was wondering whether anyone has anything good to say about age as an organizing principle?” someone asked during the audience Q&A for “Curators: The Younger Than Jesu
It’s Koons’s World—We Just Live in It
“It was a look of horror … or a smile,” said Scott Rothkopf, curator of the exhibition Jeff Koons and moderator of a panel discussion called “The Koons Effect Part