Running in Circles
Olivier Mosset was in town for the opening of his exhibition at Parapet/Real Humans, a project space run by Amy Granat in a storefront in the Fox Park neighborhood of Saint Louis.
The Butcher, the Baker, the Exhibition Maker
Theater of Exhibitions, a slender new book by Jens Hoffmann published by Sternberg Press, offers fifteen brief chapters on curatorial work. While Hoffmann, a 41-year-old c
Interview in Art Practical
In the newest issue of the online journal Art Practical, the artist, critic, and publisher Dushko Petrovich conducts an email interview with Christopher Howard about his e
Che c’è di nuovo? Non molto.
The symposium’s middle part, “Agency of the Everyday,” was a disappointment. Covering Italy ca. 1970, the gregarious Romy Golan, professor of twentieth-century art at the Gra
When Does a Stone Become a Boulder?
Despite its alarming title, the symposium “States of Emergency: Objects as Agency circa 1970” was a placidly academic affair, in which discussions revolved around Lee Ufan:
Grrrl Power
In a new publication devoted to modern and contemporary art, my writing the first essay on Riot Grrrls may seem amiss, but considering that a passion in music preceded my interest
Tino Sehgal Versus a World Full of Objects
At his talk at the Guggenheim Museum last night, the artist Tino Sehgal did not say much that was all that different from the interview and article last year in Artforum,