Joan Semmel began by citing Lucy Lippard: the more explicit the imagery, the less evocative the erotic work. Response from panelists was poor until John Kacere broke the ice with a meandering monologue on the mediocrity of porn: “If you’re very hungry, it doesn’t take much to turn you on.” Panelists were asked if their own work turned them on; Kacere again. “You can’t be horny for a month.” Panelists agreed that, in effect, their work was not really porn or even erotic—it just referred to a “beautiful human experience.”
Anticipating yet another version of the standard critic’s disclaimer, “We have no power and no one reads us, anyway,” I found the New School’s auditorium overflowing with an expectant audience, which, as Barbara Rose put it, did not look “as if they were about to ask the usual 1960s question, ‘How do I make it?’” Did this imply that the audience looked successful? Secure? Sophisticated? Shrewd? Savvy? I did see a lot of familiar faces.
IN TERMS OF
Reviews of lectures, panels, interviews, conferences, and other live speaking engagements in the visual arts.