Good for a Girl
How do you deal with sexism in the music industry, personally and professionally? This question from Liz Deichmann, operations and event coordinator at the Luminary, came halfway t
Running in Circles
Olivier Mosset was in town for the opening of his exhibition at Parapet/Real Humans, a project space run by Amy Granat in a storefront in the Fox Park neighborhood of Saint Louis.
Landscape Surveyors
A panel on “The Changing Landscape of Museums Today” coincided with the release of the Asia Society Museum’s anthology of essays, Making a Museum in the 21st Century
Paying Artists, from MoMA to Momenta Art
Based in New York, the six-year-old advocacy group Working Artists and the Greater Economy (W.A.G.E.) has supported a single issue: payment to artists working with nonprofit organi
Alice Aycock, Storm Chaser
“Tornadic, whirling movement is something I’ve been involved in right now,” said Alice Aycock. “I’m not really into peaceful things.” This New York–based artist, who
Hand Washers
“I was wondering whether anyone has anything good to say about age as an organizing principle?” someone asked during the audience Q&A for “Curators: The Younger Than Jesu
The Authorial Intent
Is it possible to be indifferent to Jeff Koons? For many years my attitude toward the artist’s work has been impassive and disinterested. It exists whether I like it or not and h
Conversation with the Sound of Its Own Unraveling
The legendary artist Robert Morris doesn’t often participate in live interviews, whether in public, in person, or on the phone, so a recent appearance by him at the New York Publ
Art Market Booming, Dealers Say
Not only is art alive, it is thriving, was the assessment given by some of the nation’s foremost museum officials, art dealers, and artists to some four hundred persons at the fi