Art School Confidential
It’s no secret that the tuition for all kinds of schools has increased significantly over the last thirty years, and thousands of students take out huge government and private lo
Messages, Signals, and Noise
“Exhibiting Experiments,” the first session of “Exhibit A: Authorship on Display,” comprised two graduate students and a fresh PhD recipient and was moderated by Grant John
Welcome to Post-Modernism
I went to this really weird panel last night called “Post-Modernism in Art and Literature,” only it was mostly John Simon, Michael Graves, and Hilton Kramer in the same room, s
When Does a Stone Become a Boulder?
Despite its alarming title, the symposium “States of Emergency: Objects as Agency circa 1970” was a placidly academic affair, in which discussions revolved around Lee Ufan:
Our Rob Storr
When in 2001 the curator Robert Storr mentioned to his friend, the German painter Gerhard Richter, that the Bonn Kunstmuseum was hosting an exhibition of work by the abstractionist
An Influx of Influences
Influence is a tricky, elusive thing. The organizers of an exhibition at the Visual Arts Gallery in Chelsea, Amy Smith-Stewart and Carrie Lincourt, confront the topic as it related