Make American Art Great Again
The audience gathered in the Phyllis Harriman Mason Gallery of the Art Students League, a midtown Manhattan art school founded in 1875, was mostly middle-aged folks and senior citi
Running in Circles
Olivier Mosset was in town for the opening of his exhibition at Parapet/Real Humans, a project space run by Amy Granat in a storefront in the Fox Park neighborhood of Saint Louis.
Next Question: Is Art Dead?
The subtitle of this panel, “Is Jerking Off Getting Out of Hand?,” could mean anything from, “Once you’ve seen one jerk-off in an art context, you’ve seen them all, so a
Landscape Surveyors
A panel on “The Changing Landscape of Museums Today” coincided with the release of the Asia Society Museum’s anthology of essays, Making a Museum in the 21st Century
The Forever No
“Zombie Formalism” and Other Recent Speculations in AbstractionWednesday, December 10, 2014School of Visual Arts, SVA Theatre, New York Last April the painter and critic Walter
Hand Washers
“I was wondering whether anyone has anything good to say about age as an organizing principle?” someone asked during the audience Q&A for “Curators: The Younger Than Jesu
Catchers of Light
To celebrate the paperback edition of The Edge of Vision: The Rise of Abstraction in Photography, the author, critic, and professor Lyle Rexer led a panel of four contempo
Our Rob Storr
When in 2001 the curator Robert Storr mentioned to his friend, the German painter Gerhard Richter, that the Bonn Kunstmuseum was hosting an exhibition of work by the abstractionist