Residual Rights—Can the Concept Be Implemented?
Rubin Gorewitz, coauthor of an artists’ rights bill under study by Congress, noted that the mafia is now buying art for profit and that his bill would discourage them. He also sa
Residual Rights for the Visual Artist—Are They Desirable?
The panel got off to a late start because Robert Rauschenberg and Robert Scull were still out to dinner—together. Then Lawrence Fleischman opened by objecting to the residual agr
The Paradoxical Absolute
If I understand her convoluted comment-question correctly, an elderly woman in the audience wanted to know, during the Q&A session, if the speaker, Frances Stark, had just done a p
Help the Aged
The twenty-five-year-old artist Amalia Ulman announced that she just had plastic surgery while spending time in California for her recent solo exhibition, Used & New, at L
Conversation with the Sound of Its Own Unraveling
The legendary artist Robert Morris doesn’t often participate in live interviews, whether in public, in person, or on the phone, so a recent appearance by him at the New York Publ
Writing for Socially Engaged Art
After being asked to participate on this panel, I wanted to know what kind of writing on socially engaged art is already out there. My conclusion is that there’s a lot of writing
The Well-Hung Show
To conclude the conference “Exhibit A: Authorship on Display,” two speakers—a curator and an art historian—offered their thoughts on the day’s events. Dieter Roelstraete,
The Carnival That Mocks the King
What happens when artists act as curators, organizing exhibitions for museums, commercial galleries, and other venues? Well, they become curators, if for one show only. Is this new
Art Activity but No Art Business
The keynote address, delivered by Thomas Hoving, director of the Metropolitan Museum of Art, bounded quickly across the history of museum art buying in the United States and settle
Art Market Booming, Dealers Say
Not only is art alive, it is thriving, was the assessment given by some of the nation’s foremost museum officials, art dealers, and artists to some four hundred persons at the fi