A Special Kind of Ordinary
There’s a special kind of ordinary that folks in the art world love. Artists, curators, and critics often fall over themselves to praise the everyday, elevate the banal, and high
I Don’t Want No Retro Spective
For artists, the solo exhibition reigns supreme. For curators, it’s the group show. From major events such as the Venice Biennale, Documenta, and Whitney Biennial to curator-driv
Preexisting Conditions
Prem Krishnamurthy’s talk “Double Agency” addressed the speaker’s two primary roles: a founder of the design firm Project Projects (with Adam Michaels) and director and cur
The Social Network
“It’s not what you know but who you know that counts” so goes the saying, which you’ve heard so many times that it’s basically become truth. But why? Among those who have
New York, New York, New York
What did this evening’s panelists—three artists who had moved to New York from across North America around the turn of the century—have in common? If you guessed a burning de
Institutionalized
“Networked Institutions/Institutionalized Networks” sought to shed light on the dynamics of collaboration among institutions—now considered a common way of working in the art