Curatorial Assistance
“I’ve been thinking a lot about biennials,” mused the artist Michelle Grabner, seemingly without irony. No kidding—she’s one of three curators of the 2014 Whitney Biennia
“Crisis” in Criticism: Report #1
The New School auditorium is an antiseptic affair after the historic Great Hall at Cooper Union and the raunchy amphitheater at the School of Visual Arts, but its acoustics are muc
An Almost Unimaginably Radical Act
Unlike many of his colleagues, the American artist Sol LeWitt (1928–2007) embraced the term Conceptual art. And at a time when artists were abandoning the white cube to make work
Institutionalized
“Networked Institutions/Institutionalized Networks” sought to shed light on the dynamics of collaboration among institutions—now considered a common way of working in the art
The Ergonomics of Experiencing a Text
Paperweight, a new organization founded by the artist Jesse Hlebo, was born because, it seems, people involved in producing artist’s books and related cultural publications feel
Affective Technologies
The Kitchen invited Hal Foster, a historian, critic, and professor of art at Princeton University, to discuss his two recently published books. After an introduction by Tim Griffin
Our Rob Storr
When in 2001 the curator Robert Storr mentioned to his friend, the German painter Gerhard Richter, that the Bonn Kunstmuseum was hosting an exhibition of work by the abstractionist