Sublime Leftovers
“Folk Art and Neo-Folk Art” was both exhilarating and illuminating. Panelists touched on important points of original research, while much new territory was explored. However,
Language Is a Virus
This conversation between the Croatian-born artist Dora Budor, whose science-fiction-inspired installation Spring was on view in the Swiss Institute’s basement, and Chri
Get Off the Internet
From an aesthetic point of view, the term “punk”—whether referring to a music genre, a fashion style, or a nonconformist attitude—has generated an incredibly diverse creati
The Trashy Place Is a Happy Place
A recent talk by the Brooklyn-based critic Naomi Fry was as wide ranging—one could even say scattered—as both her interests and her curriculum vitae. “I always have to remind
Certificates of Authenticity
The second and final panel on the symposium for the Jewish Museum’s exhibition Jack Goldstein x 10,000 featured presentations by two artists—Kathryn Andrews and Paul P
Gold Records
An afternoon symposium that coincided with the Jewish Museum exhibition’s Jack Goldstein x 10,000 began with a keynote presentation by the artist and filmmaker Morgan Fi
Disembodied Experiences
For “Dennis Oppenheim: Form – Energy – Concept,” Electronic Arts Intermix offered a special program of films from the early 1970s: selections from the artist’s Aspen
Chrissie Iles and Video-Art Distribution
For her lecture at Hunter College, Chrissie Iles, curator of film and video at the Whitney Museum of American Art, gave a basic overview of projection art (film, video, slides) fro